Archive for the '’70s Movies/TV' Category



Movie Theater Marquees: Dawn of the Dead (1979)

 DOTD Marquee 1978

I don’t remember where I found the photo, unfortunately, but it’s the creepiest one I’ve got. It almost looks like a screenshot from a post-apocalyptic movie referencing another post-apocalyptic movie. What’s the figure doing? Where is everyone else? Who’s taking the photo? The only thing I can think of is that he wants to show off his DotD t-shirt under the DotD marquee.

The Hollywood Theatre was a classic. You can see a better shot of the beautiful marquee here. It closed in 1992, “doomed” by “the seedy, dilapidated state of Hollywood Boulevard.”

Also, there’s this:

DOTD 1979

Kids on Bikes Contemplating Farrah, 1977

California 1977

Joel Sternfeld
California, (#4), 1977

I could tell you about suburban California in the late 1970s, but Joel Sternfeld has already done it, silently and totally.

Super 8: Mikey Walters’ Target: Earth (1979)

As if there weren’t enough evidence* that Mikey did more before he turned 13 than I’ve done ever, here’s a movie he shot during the summer after 6th grade. He gave me some production notes to go with it.

  • My dad shot the scenes that I was “acting” in. Shot in order, no editing.
  • Original film had no sound, but I made a cassette tape using the Star Wars soundtrack and various sound effects. The tape is long lost, but I “recreated” the sounds for YouTube.
  • Stop-motion titles and credits.
  • Nerf ball planet, Earth image cut out of National Geographic.
  • My idea of kitbashing was gluing two battleships together (standard plastic model kits) and painting them white.
  • The famous black helmet that we both had is featured!
  • The control panel includes a Merlin.
  • Please ignore the hanging potted plant when the ship takes off.
  • Lasers were scratched directly onto the film.
  • The doomed city is an HO-scale train set and a bridge building set that I loved to play with.

We think the top button on the control panel says ‘power’. The other two say `take off’ and `fire’. The dials and graphics on the control panel were cut out of Mikey’s dad’s old Air Force training manuals, and the buttons were capsules from vending machines.

As for the movie itself, the violence the director perpetrates on our poor planet is shocking! The slow head turn of the caped figure (who in no way resembles Darth Vader) is unnervingly menacing. And what about that innocent kid, sadistically vaporized right out of his clothes? Is there no mercy? No. Only death and destruction, and the realization that all men are mortal, that everything we build will eventually crumble.

By the way, Mikey hadn’t seen 1954’s Target Earth, a classic robot invasion movie starring Richard Denning, before he made his existential sci-fi flick, although he says he might have come across the title in Starlog.

*Mikey’s homemade D&D modules are here. His published (and now playable!) Atari BASIC video game is here. My interview with him is here.

***

If you made a movie as a kid, I’d love to feature it. Contact me at 2warpstoneptune@gmail.com.

Comic Book Store, 1978

Comic Shop 1978

The ad, showing Vancouver’s The Comic Shop, is from The First Vancouver Catalogue. The pic on top shows rows and rows of fantasy paperbacks in the glorious heyday of fantasy paperbacks. Several editions of Conan appeared between 1966 (Lancer Books) and the early ’80s. They included Howard’s original stories and new works by contemporary authors, notably L. Sprague de Camp and Lin Carter.

The Marvel titles in the bigger photo are mostly obscured, but what a great look at all the magazines. Will Eisner’s Spirit, 1984, The Hulk! (formerly The Rampaging Hulk) #10 (Val Mayerik cover art), and The Savage Sword of Conan #33 (killer Earl Norem cover). On the second row, you’ll see a `Jaws vs Ape’ headline. That’s Famous Monsters of Filmland #146.

FM #146 1978

Not cover specialist Bob Larkin’s best work, and why the hell is the ape beating on Jaws, anyway? Here’s my best guess.

1976’s A*P*E (no shit, it stands for Attacking Primate MonstEr) is compellingly awful, and introduces a young Joanna Kerns (the mom in Growing Pains). RKO sued the production company for its blatant attempt to rip off Dino De Laurentiis’s 1976 King Kong remake, hence the hilarious disclaimer at the end of the trailer.

Also, listen for the very poorly edited “See giant ape defy jaw-shark!” I’m sure the narrator originally used ‘jaws’, but was forced to change it due to legal pressure from Universal Pictures. So, in true exploitation fashion, they replaced the ‘s’ by dubbing ‘shark’ over it.

***

I’m happy to report that The Comic Shop is still there. On the website’s history page, I found a bonus photo of co-founder and owner Ron Norton in 1975. You can spot several more comic magazines behind him, including Unknown Worlds of Science Fiction #1, and more fantasy and sci-fi paperbacks (Zelazny, Silverberg) in the foreground.

Comic Shop 1975

(First image via Sequential: Canadian Comics News and Culture)

(Video via TrashTrailers/YouTube)

Movie Theater Marquees: Star Trek: The Motion Picture (1979)

Star Trek Marquee 1979

Photo: Gary Fong/San Francisco Chronicle, 1979

Star Trek Marquee 1979-2

Varsity Theatre, Athens, Ohio, 1979. (Photo: Larry Gassan)

Star Trek Marquee ASM #203

From Amazing Spider-Man #203, 1980. Note the Black Hole marquee in the background.

King Frat (second photo) is an Animal House hack job: frat boys stage farting contests, light farts on fire, pull down their pants and fart at girls through car windows, and similar antics involving farts (and erections). The fact that it’s sharing a marquee with Star Trek does not say much for the perception and reception of Star Trek.

(Images via the SF Chronicle, Larry Gassan/Flickr, and The Marvel Project)

The Legacy of Jaws Told in Movie Posters

Jaws Poster

Grizzly Poster

Rattlers Poster

Tentacles Poster

Piranha Poster

Piranha Poster-2

Alien Poster

Up from the Depths Poster

Bllod Beach Poster

The Evil Dead Poster

Nightmare Poster

CHUD Poster

The Gate Poster

The Nest Poster

Deep Star Six Poster

Leviathan Poster

Tremors Poster

Lake Placid Poster

Open Water Poster

Rogue Poster

Roger Kastel‘s Jaws poster, an exquisite representation of the greatest horror movie ever made, has been imitated as much as, if not more than, Spielberg’s legendary film. It’s impossible to imagine the one without the other. Combine them, and Jaws becomes much more than a giant, man-eating great white shark.

Jaws is the primordial terror of predators lurking beneath the water, circling in the jungle brush, descending unseen from the sky. Jaws is unchecked, insatiable animal aggression: nature stripped of evolutionary checks and balances. Jaws is beyond nature, the supernatural, the devil, the possessed (“he’s got lifeless eyes, black eyes, like a doll’s eyes“). Jaws is the male sex drive, a giant dick with teeth. Jaws is Freud’s Id, the iceberg representing the sublimated Unconscious. Jaws is humanity stripped of the manufactured veneer of civilization.

The message of Jaws is that we’re all stuck in the same shabby boat, soon to be dead in the water, trying to fend off the monster that’s trying to break in and tear us to pieces.

The catch is: we’re also the goddamn monster.

1978 Milton Bradley ‘Super Staples’ Catalog

MB Catalog 78

MB Catalog 78-2

MB Catalog 78-3

MB Catalog 78-4

MB Catalog 78-5

MB Catalog 78-6

More and more, it’s the board games I want.

The live-action Amazing Spider-Man pilot premiered in September, 1977, and the series didn’t resume until April of 1978. The live-action Captain America TV movie was heading into production for an early 1979 release. Hence the “heaviest promotional support ever” for the games.

Starsky and Hutch was in the last year of its four-year run. The Scooby-Doo game is from ’73, and Casper is from 1959. Talk about staples. Scooby has turned out to be as enduring a character as Spidey.

I’m still not feeling the Star Bird. It’s so aseptic. Cool noises or no, ships by themselves have no personalities. I think a little plastic guy came with it, but it’s not the same. Same reason I never understood the Star Wars die cast vehicles.

The corporate letter is a nice prize: “I am certain that your sales will reflect a commensurate increase.”

(Images via eBay)

TV Guide Ads for TV Movies (1980 – 1982)

The Baby Sitter 1980

Blinded Ad 1980

Honeyboy 1982

Hotline 1982

The Babysitter (November 28, 1980): Shatner being Shatner about sums this one up: “You know nothing about her. It’s kerAAAzy! Bringing a total stranger. Into your house.” Enter gorgeous, creepy Stephanie Zimbalist (Remington Steele) giving him the googly eyes. Enter the tawdry I-do-believe-I’ve-just-been-instantly-seduced music. Shatner’s face at the end of the clip is must-see bad TV.

Blinded by the Light (December 16, 1980): Girl (Kristy McNichol) tries to rescue brother (Jimmy McNichol) from religious cult, but in the process begins to swallow the Kool-Aid herself. The terrible art makes Kristy look 40, but she was only 18 at the time. I can’t find a clip, and you don’t want to see it anyway, so check her out with Matt Dillon in my favorite scene from Little Darlings (also from 1980).

Honeyboy (October 17, 1982): One of the more important steps to becoming a responsible adult is accepting the fact that CHiPs made everyone dumber on a weekly basis, largely because Eric Estrada had no business being in front of a camera. As for Morgan Fairchild, I can’t even say the name without disintegrating into a puddle of adolescent sexual desire. Watch the trailer for Honeyboy, if you must.

Hotline (October 16, 1982): That dark, shiny, curvy hair. Those eyes. Those lips. That voice. God, I had such a crush on Steve Forrest from S.W.A.T. (Sorry, I can’t find anything on Hotline. I talk about the psycho-stalking-young-women genre here.)

(Images via Nostalgic Collections/eBay)

Dr. Joyce Brothers (1927 – 2013): Psychologist, Media Personality, Defender of Dungeons & Dragons

Joyce Brothers 1980

I remember Dr. Brothers mostly for her witty cameos on various TV shows of the day, including The Love Boat, WKRP, and Happy Days, as well as her many appearances on The Tonight Show and several game shows.

But she was a real psychologist (with a Ph.D. from Columbia)—the first to use mass media to tackle everything from sex to suicide—and hosted several advice/discussion shows from the late 1950s through the ’70s. She died, at age 85, on May 13. (Read her obituary at the New York Times.)

The photo above, courtesy of Jon Peterson, shows Brothers in a 1980 TV appearance promoting the TSR board game Fantasy Forest.

Fantasy Forest

At a time when D&D and role-playing were decried as tools of Satan, Brothers defended the practice and D&D in particular. In a 1984 radio interview with Neil McKenty, Brothers describes herself as a “consultant for TSR” and applauds D&D for being a “cooperative game” in which “everybody works together to overcome obstacles.”

Playing the game, she says, is a mentally healthy activity that demands intelligence, expands the imagination, and promotes joy. She even mentions Gary Gygax by name!

Brothers gave serious advice about touchy subjects and was a brilliant woman (an expert on boxing, among other things) who realized that taking herself too seriously would put off the people who needed help the most.

Lawful good human clerics can’t do much better than that.

Living on Video: Cruisin’ High (1976) and Street Trash (1987)

Video Store 1987

Time for a new feature, this one inspired by Lefty Limbo’s find above. He nails all the signs of the times in his post, and between us I think we identified all the visible movies, except for the one at the bottom left corner of notorious Psycho rip-off I Dismember Mama (the title spoofs I Remember Mama, a 1944 Broadway drama adapted for the screen in 1948). We put the year at 1987 based on the Witchboard and Nightmare on Elm Street 3: Dream Warriors counter displays.

I worked in a video store at the time, and I watched every one of these movies multiple times, customers be damned. (Once, for somebody’s birthday, we had a slumber party in the store and watched Videodrome and other “racy” fare after the parental chaperone nodded off.)

For most people interested in non-mainstream films, the VHS box was the only thing to go on when deciding what to rent. Sensational art (a detail of the theatrical poster) and creative blurbs often were the difference between profit and loss. A video wasn’t like a book or a comic—you couldn’t have a peek inside and see if it was worth your time and cash.

So I’m going to post full VHS cover spreads—what you would have seen while perusing the empty boxes on the aisles—of flicks from the era.

Cruisin' High

“In their brutal world, survival is the only grade that counts.” “Check out the scene at CRUISIN’ HIGH… gang warfare is the passing grade!” A little tear of appreciation just formed in the corner of my eye.

Cruisin’ High was originally released as Cat Murkil and the Silks in 1976. (Find a short and sweet review here.) The term “inner city,” with all its negative connotations, entered the vernacular between ’75 and ’85, when street gangs and violent crime were at their peak. Vigilantes were in (Guardian Angels, Bernhard Goetz, Dirty Harry, Paul Kersey, Mack Bolan, The Punisher), and the very concept of gangs scared the living crap out of all the people in the suburbs who promptly rented the movies designed to exploit their fear. “Warr-ee-urrs, come out to PLAY-EE-AAAY…

Street Trash

In Street Trash, the owner of a liquor store finds a stash of bad booze in his basement and, humanitarian that he is, sells it to the area winos. Problem: the bad booze literally melts the bums. It’s fantastic, a minor horror classic. The blurb is clunky, but the ingeniously trashy art makes up for it. Dude is melting into the toilet, people!

(First image originally via Pinterest; VHS cover images via VHS Wasteland)


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