Archive for the 'Jim Roslof' Category

D&D Cover Art: Scourge of the Slave Lords (1980 – 1981)

Slave Pits of the Undercity FC 1980

Slave Pits of the Undercity BC 1980

Secret of the Slavers Stockade FC 1981

Secret of the Slavers Stockade BC 1981

Assault on the Aerie of the Slave Lords FC 1981

Assault on the Aerie of the Slave Lords BC 1981

In the Dungeons of the Slave Lords FC 1981

In the Dungeons of the Slave Lords BC 1981

Scourge of the Slave Lords FC 1986

Scourge of the Slave Lords BC 1986

Slave Pits of the Undercity (1980): Both covers are by Jeff Dee. On the front, the wizard’s light spell saves the viewer and the party from utter darkness. (His non-casting hand is awkwardly placed, no?) Somehow, I don’t think the giant ant man’s two wooden shields are going to hold up against that hammer, but we have no idea how many of his friends are skittering to his aid, and that builds suspense.

I suspect the back cover was a rush job. The figures are finished (I like the bandaged arm of the bad guy), but the background is a blank.

Secret of the Slavers Stockade (1981): Jim Roslof did the front cover. The torch light and ensuing shadows set the mood, but the scene doesn’t sell the threat: the slaver and his Gollum-like pet are no match for the waiting heroes. The back cover is Erol Otus. The man is in absolute command of color and light, and his figures are the stuff of myth, something you might see on the vases and holy artifacts of an ancient civilization.

Assault on the Aerie of the Slave Lords (1981): Front cover is Jeff Dee again—substandard work, in my opinion: no motion, no life. The back cover, another Otus, is exactly the opposite: I can feel the pillars shaking, hear the cries of the warriors, the swooshing of the torch.

In the Dungeons of the Slave Lords (1981): This cover, one of Otus’s best, is a phantasmagoric, fantasy-art-meets-German-Expressionism masterpiece. It belongs in a museum. Bill Willingham goes for the throat on the lurid and bawdy back cover, a nice homage to Hammer Horror.

All of the modules (A1 – A4) were collected as Scourge of the Slave Lords in 1986. The cover painting here, a decent Frazetta emulation, is by Jeff Easley. (Is that Thundarr bursting his bonds in the background?)

Unfortunately, the series is not yet available on dndclassics.com.

D&D Cover Art: Dwellers of the Forbidden City (1981)

Dwellers of the Forbidden City 1981

Dwellers of the Forbidden City 1981-2

Front cover by Erol Otus, another legend of early D&D. Otus did the definitive covers of the revised 1981 Basic and Expert Sets, seen here and here via Tome of Treasures. I’ll be posting more of his distinctive module covers as well.

The back cover is unsigned, but it has to be Jim Roslof. (Frustratingly, the front and back covers are often uncredited in the early modules. Only the art team is listed.) Compare the style with The Ghost Tower of Inverness.

The module is available at dndclassics.com. Grognardia reviews it here.

D&D Cover Art: The Ghost Tower of Inverness (1980)

The front cover art is by Jim Roslof, who passed away last year. From his obituary at Wizards of the Coast,

As an illustrator in the late 1970s and early ’80s, Roslof had a major influence on the developing visual style of the Dungeons & Dragons game. His cover illustration for adventure B2, The Keep on the Borderlands, is one of the most iconic and widely-recognized D&D images from that period.

As art director, Roslof’s guiding hand was less apparent to players, but his influence was even more profound and far-reaching. It was Roslof who hired and shaped TSR’s famous “pit” of color illustrators: Jeff Easley, Larry Elmore, Jim Holloway, Keith Parkinson, Tim Truman, and Clyde Caldwell. Under Roslof’s direction, their paintings defined Dungeons & Dragons for a generation of players and DMs.

The back cover is by Jeff Dee, who did the front cover of the first Isle of Dread module, among other classics.

Grognardia reviews The Ghost Tower of Inverness (killer title, yes?) here. The module is currently available for download at dndclassics.com.


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