Archive for the 'Bill Willingham' Category

D&D Cover Art: Scourge of the Slave Lords (1980 – 1981)

Slave Pits of the Undercity FC 1980

Slave Pits of the Undercity BC 1980

Secret of the Slavers Stockade FC 1981

Secret of the Slavers Stockade BC 1981

Assault on the Aerie of the Slave Lords FC 1981

Assault on the Aerie of the Slave Lords BC 1981

In the Dungeons of the Slave Lords FC 1981

In the Dungeons of the Slave Lords BC 1981

Scourge of the Slave Lords FC 1986

Scourge of the Slave Lords BC 1986

Slave Pits of the Undercity (1980): Both covers are by Jeff Dee. On the front, the wizard’s light spell saves the viewer and the party from utter darkness. (His non-casting hand is awkwardly placed, no?) Somehow, I don’t think the giant ant man’s two wooden shields are going to hold up against that hammer, but we have no idea how many of his friends are skittering to his aid, and that builds suspense.

I suspect the back cover was a rush job. The figures are finished (I like the bandaged arm of the bad guy), but the background is a blank.

Secret of the Slavers Stockade (1981): Jim Roslof did the front cover. The torch light and ensuing shadows set the mood, but the scene doesn’t sell the threat: the slaver and his Gollum-like pet are no match for the waiting heroes. The back cover is Erol Otus. The man is in absolute command of color and light, and his figures are the stuff of myth, something you might see on the vases and holy artifacts of an ancient civilization.

Assault on the Aerie of the Slave Lords (1981): Front cover is Jeff Dee again—substandard work, in my opinion: no motion, no life. The back cover, another Otus, is exactly the opposite: I can feel the pillars shaking, hear the cries of the warriors, the swooshing of the torch.

In the Dungeons of the Slave Lords (1981): This cover, one of Otus’s best, is a phantasmagoric, fantasy-art-meets-German-Expressionism masterpiece. It belongs in a museum. Bill Willingham goes for the throat on the lurid and bawdy back cover, a nice homage to Hammer Horror.

All of the modules (A1 – A4) were collected as Scourge of the Slave Lords in 1986. The cover painting here, a decent Frazetta emulation, is by Jeff Easley. (Is that Thundarr bursting his bonds in the background?)

Unfortunately, the series is not yet available on

TSR’s Escape from New York: The Game (1981)

EFNY Cover


EFNY Board






EFNY Instr

Toshiba Digital Camera



Really? I must have seen this movie a hundred times when it first came out on video (it’s still one of my all-time faves), but I had no idea there was a game. The cool illustration on the instructions title page is by Bill Willingham. You can see his signature on the plane. The second drawing—the “crazies” coming out of the sewer—might be an Erol Otus. Isn’t that an “EO” in the top right corner?

I would love to play this baby.

(Images via Board Game Geek and eBay)

D&D Cover Art: The Secret of Bone Hill (1981)

The front cover painting is by Bill Willingham, and it’s one of my favorites. The action rides the lightning, so to speak. The spell cast by our beautiful, crimson-clad sorcerer ties her, the hero, to the undead villain.  The book and the broken staff, framed in the flash, tell us that our magic user was hurriedly memorizing her spell when attacked by the skeleton. That’s my interpretation, anyway.

The castle is parallel to the book and the staff, menaced by lightning of a more natural kind—or maybe not, as the bolts seem weirdly focused on the mysterious edifice. At the same time, the purple clouds on the horizon contrast the town with the bright blue of Bone Hill.

Back cover art is by Erol Otus, a master of atmosphere. The colors here are subterranean, dank. As the dragon drags out of the cave its colors shift from green to an unhealthy pallid blue.

You’ll find Grognardia’s positive review of the module here.

D&D Cover Art: The Isle of Dread (1981, 1983)

Cover art for the first edition (blue) is by Jeff Dee (front) and Bill Willingham (back). Cover art for the orange second edition is by Timothy Truman.

More details at Tome of Treasures. Grognardia reviews The Isle of Dread here.




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