Archive for June, 2014



The Illustrated Book of Knights by Jack Coggins (1957)

Knights 1957

Knights 1957-2

Knights 1957-3Knights 1957-4

 

 

 

 

 

 

 

 

 

Knights 1957-5

Knights 1957-6Knights 1957-7

 

 

 

 

 

 

 

 

 

Knights 1957-8

I spent a lot of my childhood in the library looking at books like this one. Knights and the Middle Ages were a popular subject in the triumphant, post-war 1950s. The shiny idealism of films like Knights of the Round Table (1953) and TV series like The Adventures of Robin Hood (1955 – 1959) gave way in the late ’60s to the grimmer, if equally Romantic, sword and sorcery genre spurred by the younger generation’s discovery of Tolkien and Robert E. Howard. The knight-errant pictured in the fifth photo has always been an important figure in Western pop culture, from Robin Hood and the Lone Ranger to Batman and the Jedi (and Han Solo, for that matter).

Jack Coggins (1911 – 2006) wrote and/or illustrated 44 books, many of them focusing on space travel, between 1941 and 1983. He was also a prolific oil painter and magazine illustrator.

UPDATE: Jordan Harris alerted me to the fact that Coggins’ work had a direct influence on Gary Gygax—not surprising, but something I didn’t really consider. As it turns out, the cover illustration of Chainmail (1971) is a direct copy of a Coggins illustration from his book The Fighting Man: An Illustrated History of the World’s Great Fighting Forces through the Ages (1966), as noted by Jon Peterson (author of Playing at the World) and Zach at Zenopus Archives.

(Images via designbydecade/eBay)

Star Wars Inflatable Light Saber (Kenner, 1977)

SW Lightsaber 1977

SW Lightsaber 1977-2

SW Lightsaber 1977-3

It looks so sad when it’s deflated.

Was there really a “Remote Ball” (bottom left panel in the second photo)? Is that what’s in the commercial below, or are those just balloons?

 

Warren Special Edition: The Lord of the Rings Magazine (June, 1979)

LOTR-1

LOTR-2

LOTR-3

LOTR-4

LOTR-5

LOTR-6

LOTR-7

Don’t you wish you could thumb through the whole mag, written by the delightfully weird Forrest J. Ackerman? Oh, wait. You can.

If you think the Lord of the Rings “sculpture banks” are an odd choice for merchandise, wait until I post the finger puppets.

Gervasio Gallardo’s H.P. Lovecraft Cover Art (Ballantine, 1970 – 1973)

Gallardo Kadath 1970

Gallardo Sarnath 1971

Gallardo Fungi 1971

Gallardo Spawn 1971

Gallardo Survivor 1971

Gallardo Mythos 1972

Gallardo Imaginary 1973

Spanish-born illustrator Gervasio Gallardo did a number of striking covers for the highly influential Ballantine Adult Fantasy series (1969 – 1974), edited by writer and fantasy literature historian Lin Carter. All of the Lovecraft volumes are featured above—I threw in Imaginary Worlds, the last volume of Carter’s non-fiction “look behind” trilogy exploring the origins of the fantasy genre. Lovecraft: A Look Behind the Cthulhu Mythos is the second volume, and Tolkien: A Look Behind ‘The Lord of the Rings’ is the first.

Bob Pepper was another notable illustrator for the same series.

The Lovecraft Movie That Never Was: The Cry of Cthulhu

Starlog 1979-1

Starlog 1979-2

Starlog 1979-3

The article is from Starlog #24 (July, 1979). The “lost” Lovecraft movie reportedly secured a $7 million budget, received the blessings of Arkham House (Lovecraft’s longtime publisher and champion), and was slated to “showcase several new techniques applied to stop-motion animation.” What makes it so much more interesting is the special effects talent lined up for the project.

Ernie Farino, hired as special effects supervisor and animator, got his start on Galaxy of Terror the following year, where he met James Cameron, who hired him as special effects coordinator on The Terminator. Farino also worked as an animator on Saturday the 14th, The Thing, Spacehunter: Adventures in the Forbidden Zone, and Dreamscape.

Lyle Conway, character designer and model builder, went on to do creature design and effects for The Dark Crystal, The Blob (1988), and Deep Rising.

Craig Reardon, special make-up effects, worked on The Goonies (he created Sloth!), Poltergeist, Twilight Zone: The Movie, Dreamscape, and The Gate, to name a few.

The concept art you see in the Starlog article is by Tom Sullivan, best known for designing and animating The Book of the Dead in The Evil Dead and The Evil Dead II. Sullivan also did many beautiful illustrations for Chaosium’s Call of Cthulhu role-playing game.

The Cry of Cthulhu was supposed to be something of a sequel to Lovecraft’s The Shadow Out of Time. I don’t know specifically why the project fell apart, but I imagine it was a combination of money and studio cowardice. Based on an earlier blurb in Starlog #6 from 1977 (below), the film was initially a low-budget affair to be shot entirely in Michigan.

UPDATE (10/24/14): I interviewed Byron Craft (a.k.a. David Hurd), screenwriter and co-producer of The Cry of Cthulhu, here. I also interviewed Tom Sullivan here.

Starlog 1977

(Images via archive.org and Propnomicon)

Warpo’s Legends of Cthulhu Action Figures Transcend Trite Retro Fad

Cthulhu-1

Cthulhu-2

The problem with today’s obsession over all things ‘retro’ is that it’s a cultural dead end. Middle-aged geeks continue to fawn over and “repop” variations of the painted plastics they first unwrapped 30 plus years ago, but who’s going to make amazing new stuff for their kids to enjoy with the same kind of passion?

Enter Warpo Toys, a Chicago-based indie that launched its first Kickstarter last week. While the company’s owners—Bryan Katzel, Eric Lefeber, and Tommy Baldwin—are themselves toy collectors and diehard fans of ’70s and ’80s pop culture, they’re “not interested in remaking or reissuing old toys or licenses.” They aim instead “to create brand new product and tell brand new stories that haven’t been told before.” Thank the Great Old Ones!

So, while the Legends of Cthulhu line is billed as retro and marketed to adults (it had to be both to get off the ground), it’s far too beautiful, literate, and original to be lumped in with the tired mash-ups and retreads on display at every con and geek-nerd-retro-comics-superhero site from coast to coast. For starters, it’s the first time anyone’s had the balls to base a toy line on H.P. Lovecraft’s Cthulhu mythos. Second, the design and execution are as brilliant as the idea itself—no small feat. And third, the narrative is just the sort of thing precocious youngsters would rally around: it’s dark, it’s supernatural; it’s full of monsters, adventure, and mystery. Actually, it’s an open-ended universe, and just the sort of thing lasting franchises are made of.

Not surprisingly, Warpo’s initial Kickstarter goal of $65,000 was funded in a matter of days. As we speak, the company is just a few hundred dollars away from its second stretch goal of $90,000. Do check out the details (specs, concept art, prototypes, biographies, business philosophy) and the incredible amount of work and love the guys have already put into their potential game changer. Legends of Cthulhu will be the first Kickstarter I back. It’s just a matter of how much I can afford to pledge.

Oh, two more things. Eddy Mosqueda, who worked as a sculptor on the original TMNT and MOTU lines, is on the Warpo team; and the legendary Ken Kelly painted the front and back of the blister cards. Dear every major and start-up toy company today: this is how it’s done. Bow down to the cult of creativity, or face the shrieking and immemorial lunacy of cosmic irrelevance—not to mention bankruptcy.

TV Guide Ads for TV Movies: The Fantastic World of D.C. Collins (1984)

D.C. Collins Ad 1984

Was anyone else sitting in front of the TV when this dreck aired? In retrospect, it’s kind of interesting as an example of what the adult world saw as a generation of game-addled, reality-phobic daydreamers (the underrated Cloak and Dagger came out later the same year), with the dreamer redeeming himself in a Cold War caper. Too bad it’s unwatchable.

Here are a couple of painful reminders (watch for Jason Bateman in the first clip):

Inflatable V Bop Bag (Arco, 1984)

V Bop 1984

V Bop 1984-2

V Bop 1984-3

You can have the derivative, bloated TV miniseries and its crappy sequel. I’ll take this slice of kitsch gold and call it a day.

(Images via Toy Helper/eBay)

TV Guide Article on the The Hobbit TV Movie (1977)

Hobbit 1977

Hobbit 1977-2

Will the late author’s many fans take kindly to the TV version? Producers Arthur Rankin Jr. and Jules Bass insist that purists can rest easy: they rejected half a dozen scripts before settling on one that satisfied all the experts. The production features 13 songs and the familiar voices of Orson Bean, Cyril Ritchard, John Huston and Hans Conried…

Italics mine.

Still, I have a soft spot in my heart for this one.

(Images via Cool Ass Cinema)

Bo Hansson’s Music Inspired by Lord of the Rings (1970)

LOTR Sagan 1970

LOTR Hansson 1972

LOTR Matthews 1977-2

LOTR Matthews 1977

Released in his native Sweden in 1970 as Sagan Om Ringen (“The Saga of the Rings”), Bo Hansson’s Music Inspired by Lord of the Rings first appeared in the U.K. and the U.S. in 1972. It’s generally characterized as “progressive,” but it’s more of an idyllic, psychedelic suite centered around Hansson’s spacious, dreamy organ. It’s something of a masterpiece, in my opinion, and yet another insight into the connection between psychedelia and the budding fantasy genre.

You can hear the original vinyl release here, and the international version is on Spotify (and Amazon). Hansson released a number of other interesting albums, including Music Inspired by Watership Down (1977), which are currently unavailable.

The third LP pictured above shows the 1977 reissue, set to coincide with The Hobbit and Lord of the Rings animated films. The cover artist is Rodney Matthews.

(Images via Dream Chimney, Etsy, and rodneymatthews.com)


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