Archive for June, 2015



The Art of Earl Norem: Starship Orpheus (Pinnacle, 1982-1983)

Orpheus #1

Orpheus #1-2

Orpheus #2

Little known Norem covers for the first two books in Symon Jade’s (a.k.a Michael Eckstrom) Starship Orpheus series. (The third and last book in the series was illustrated by Jerry Bingham.) You have to admire the pink leather dress and boots on the damsel in distress. Clearly Norem found it amusing, because he signed his name in pink.

Norem didn’t illustrate many adult-oriented sci-fi/fantasy paperbacks. I’m sure he was making better money on booming kid’s properties at Marvel and Mattel. He did paint all 18 covers for Avon’s Wizards, Warriors & You role-playing books, and all six of Ballantine’s G.I. Joe: A Real American Hero young adult novels.

Letters Lovecraftian by Stephen Fabian (Gerry de la Ree, 1974)

LL 1974-2

LL 1974-3

LL 1974-4

LL 1974-5

LL 1974-6

LL 1974-1

If you’re new to Stephen Fabian, Pinterest has a pretty good sample. I didn’t know that he gave up his career as an aerospace engineer at age 37 to pursue a career as a professional illustrator, and that it took him only seven years to hit the big leagues. Letters Lovecraftian was published one year before he was nominated for his first Hugo Award for Best Professional Artist. Fabian’s biggest artistic influence is Virgil Finlay, a definitive illustrator of Lovecraft and Weird Tales and a favorite of Lovecraft’s.

Letters Lovecraftian was commissioned by Fabian’s friend and patron, sci-fi and fantasy bookseller-publisher Gerry de la Ree (1924-1993), whose house/shop Fabian had first visited in 1955. “When I entered his home,” Fabian says,

I found myself in wonderland, beautiful paintings by famous SF artists hung on all the walls above the many bookcases that stretched around the room. The bookcases were all filled with rare science fiction and fantasy books. My sense of wonder was overflowing, and by the smile on his face I could see that Gerry knew how I felt. As I looked around, it never entered my mind that one day I would see my artwork displayed up there with all those wonderful artists, and that I would be part of that wonderland.

Fabian also tells the story of visiting Gerry for the last time, almost 40 years later:

One dreadful day Helen [Gerry’s wife] phoned to tell me that Gerry had only a day or two to live and would like to see me. It was a time of great sorrow. When I got there he greeted me at the door looking as normal as I’d ever seen him, though I knew that he suffered from sugar diabetes. During the next hour or so nothing was said about his imminent passing, and I don’t remember what we talked about because my mind was so numb from the shock of what was happening. I do remember that when the time came to leave, we looked at each other, there was an unspoken understanding that this was the final goodbye. We hugged and I left in a kind of daze. A few days later he was gone, and I’m still amazed when I think of how calm and ordinary his demeanor was during that last visit. Just before I left he waved at his magnificent library of rare and very expensive books and asked me to take any book I wanted. I couldn’t do it. Instead, there was a small plastic model airplane that a neighbor’s kid had made, and I took that because he insisted I take something to remember him by. And just like that, a truly wonderful part of my life was gone. That small plastic model airplane that I took sits on a bookshelf in my library and every time I look at it, and the tiny pilot that waves at me, I think of him.

(Images via Stephen Fabian and Stuart NG Books)

The Art of Earl Norem: Men’s Pulps, 1965 – 1975

Norem Foxhole

Stag, 1965

Norem Male Magazine 1966

Male, 1966

Norem Nymph

Men, 1966

Norem Surf

Male, 1967

Norem California

Men, 1967

Norem Cycle-2

Man’s World, 1969

Norem Carnival

For Men Only, 1970

Norem Green Berets

Male, 1974

Norem Male 11-1974-2

Male, 1974

Norem Male July 1975-2

Male, 1975

If you haven’t heard, Earl Norem passed away on June 19th at the age of 91. I’ve talked about Norem often, as he is one of the greatest and most influential commercial illustrators of the late 20th century, and a definer of many of the franchises that are now geek canon. Before he started working in comics and related media, however, he had a long and very successful career painting heroes who were only slightly less superhuman. Since his men’s pulp phase is most likely to be ignored—either because it’s distinctly (and necessarily) politically incorrect, or because it doesn’t feature He-Man—I wanted to post a very small sample of his elite output for the genre.

Norem, who served in the distinguished 10th Mountain Division in World War II and was wounded when the Allies advanced into the Po Valley, was perfectly aware of the absurdity of mounting a .30 Caliber Machine Gun on a surfboard, but his job was to sell magazines, and that’s exactly what he did. Professional illustration was a hard, competitive business, and there was no room for sentimentality or grandstanding. Norem took the confines of the particular layout he had to work with and made us look, long and wide-eyed, whether it was a zombie exploding out of a grave or a circus bear smacking around Nazis.

Norem’s range was incredible, and his success and longevity within so many different markets—from Reader’s Digest and Field and Stream to Great Illustrated Classics to The Six Million Dollar Man and Dungeons & Dragons—is a testament to his superior talent. He left behind an enormous body of work that, I hope, will one day get the serious recognition it deserves.

(Some images via American Art Archives and Flickr)

Better Homes and Gardens Decorating Ideas (1960) (Part Two)

BH&G 1960-10

BH&G 1960-11

BH&G 1960-12

BH&G 1960-13

BH&G 1960-14

BH&G 1960-15

BH&G 1960-16

BH&G 1960-17

BH&G 1960-18

Part one is way back here. The castle in the first photo is Marx’s Robin Hood Castle Set from the late ’50s.

The beautifully trim world represented in these images never existed, but isn’t it comforting to imagine it did?

Roach Studios Iron-On Transfers (1973 – 1980)

Roach 73

Roach 74

Roach 75

Roach 75-2

Roach 78

Roach 78-2

Roach 1980

Roach 1980-2

A different version of the “Patience My Ass” print is seen in these college dorm photos from 1972.

More Roach Studios here.

(Images via eBay)

Magic Moon Rocks: An Outer Space Garden (Hasbro, 1959)

Moon Rocks-1

Moon Rocks-2

Moon Rocks-3

Star Wars: Escape from Death Star Game Cards (Kenner, 1977)

SWG-1

SWG-2

SWG-3

SWG-4

SWG-5

SWG-6

SWG-7

SWG-8

SWG-9

SWG-10

SWG-11

SWG-12

SWG-13

SWG-14

SWG-15

SWG-16

SWG-17

SWG-18

SWG-19

I’ve included all of the original illustrations, though obviously not all the cards. Once again you can thank Mikey Walters for the great scans.

The artist is uncredited, but some of the illustrations look like Howard Chaykin’s work. Chaykin penciled the first ten issues of the Marvel comic adaptation and also did some very early character concept sketches, as seen here.

The game tokens are below, via Board Game Geek.

SWG Tokens

Chuck E. Cheese’s Birthday Party, 1983

Chuck-1

Chuck-2

The birthday boy is Marshall Matlock. Wish I could see what’s in those presents.

Was there a room underneath the stage that had strobe lights you could turn off and on, or am I dreaming that?

TV Guide Promo for Town Hall (1982): ‘Johnny Has a 25¢ Habit’

Johnny 1982

KATU is a Portland, Oregon station, and Town Hall was a public affairs show that aired between 1980 to 1993.

The irony is that the promo appeared in the Fall 1982 edition of TV Guide, which featured a cover story on the best video games of 1982.

TV Guide 1982

 

Arcade Zen, 1983: Dragon’s Lair

Arcade 1983

Press photo from September 13, 1983. Caption reads:

Morro Bay High School Student William Krause at the controls of Dragon’s Lair game in the Morro Bay Arcade. Krause is the current champion, and has his name posted on the machine.

Dragon’s Lair always, always had a crowd (you can see a couple of quarters on the marquee in the photo). One, it was super hard and turns were short—I was lucky if I got past the first fire ropes. Two, the Don Bluth animation, surely influenced by Dungeons & Dragons, is a sight to behold. It still ranks as some of the finest ever done. The clunky game play, in retrospect, is actually a huge drag on the overall aesthetic. You can watch the whole thing—less than 13 minutes!—here. My favorite parts are the rapids and the giant marbles.

(Image via San Luis Obispo Tribune)


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