Archive for the 'Comic Books' Category



Comic Book Store, 1978

Comic Shop 1978

The ad, showing Vancouver’s The Comic Shop, is from The First Vancouver Catalogue. The pic on top shows rows and rows of fantasy paperbacks in the glorious heyday of fantasy paperbacks. Several editions of Conan appeared between 1966 (Lancer Books) and the early ’80s. They included Howard’s original stories and new works by contemporary authors, notably L. Sprague de Camp and Lin Carter.

The Marvel titles in the bigger photo are mostly obscured, but what a great look at all the magazines. Will Eisner’s Spirit, 1984, The Hulk! (formerly The Rampaging Hulk) #10 (Val Mayerik cover art), and The Savage Sword of Conan #33 (killer Earl Norem cover). On the second row, you’ll see a `Jaws vs Ape’ headline. That’s Famous Monsters of Filmland #146.

FM #146 1978

Not cover specialist Bob Larkin’s best work, and why the hell is the ape beating on Jaws, anyway? Here’s my best guess.

1976’s A*P*E (no shit, it stands for Attacking Primate MonstEr) is compellingly awful, and introduces a young Joanna Kerns (the mom in Growing Pains). RKO sued the production company for its blatant attempt to rip off Dino De Laurentiis’s 1976 King Kong remake, hence the hilarious disclaimer at the end of the trailer.

Also, listen for the very poorly edited “See giant ape defy jaw-shark!” I’m sure the narrator originally used ‘jaws’, but was forced to change it due to legal pressure from Universal Pictures. So, in true exploitation fashion, they replaced the ‘s’ by dubbing ‘shark’ over it.

***

I’m happy to report that The Comic Shop is still there. On the website’s history page, I found a bonus photo of co-founder and owner Ron Norton in 1975. You can spot several more comic magazines behind him, including Unknown Worlds of Science Fiction #1, and more fantasy and sci-fi paperbacks (Zelazny, Silverberg) in the foreground.

Comic Shop 1975

(First image via Sequential: Canadian Comics News and Culture)

(Video via TrashTrailers/YouTube)

Movie Theater Marquees: Star Trek: The Motion Picture (1979)

Star Trek Marquee 1979

Photo: Gary Fong/San Francisco Chronicle, 1979

Star Trek Marquee 1979-2

Varsity Theatre, Athens, Ohio, 1979. (Photo: Larry Gassan)

Star Trek Marquee ASM #203

From Amazing Spider-Man #203, 1980. Note the Black Hole marquee in the background.

King Frat (second photo) is an Animal House hack job: frat boys stage farting contests, light farts on fire, pull down their pants and fart at girls through car windows, and similar antics involving farts (and erections). The fact that it’s sharing a marquee with Star Trek does not say much for the perception and reception of Star Trek.

(Images via the SF Chronicle, Larry Gassan/Flickr, and The Marvel Project)

Advanced Dungeons & Dragons Storybooks: The Forest of Enchantment and The Treasure of Time (1983)

AD&D Forest of Enchantment

AD&D Treasure of Time

In 1983 Marvel published a series of D&D storybooks and coloring books under license from TSR. (One year later, the roles would be reversed for the Marvel Super Heroes RPG, published by TSR under license from Marvel.) I believe these are the only two storybooks. You can read The Forest of Enchantment here. The Treasure of Time is here. Both PDFs are originally from Kuronons’ D&D Goodies Collection.

They’re kid’s books, so it’s pretty juvenile stuff, and there’s no effort to introduce the concept of role-playing (unlike the 1979 AD&D Coloring Album). All but two of the characters from LJN’s first run of AD&D action figures make appearances, so the books are basically long toy commercials.

Nevertheless, they’re notable for a few reasons: Bob Stine is Goosebumps author R.L. Stine, and Jane Stine, who founded Parachute Publishing, is his wife.

As for the art, Earl Norem did the interior work for The Forest of Enchantment, and Marie Severin did the cover and designed the book. She also illustrated The Treasure of Time. Severin was a colorist at EC until the notorious publisher was run out of town by the Comics Code. She worked for Marvel—as colorist, inker, and penciler—from 1959 until the early ’90s. She is one of the most well-respected artists in the comics field.

Famously, Severin was directed to soften the facial expression of the Hulk on one of the most innovative covers in Marvel’s history: The Hulk King Size Special #1 (1968). See both versions here. The artist who made the Green Guy too savage for public consumption? Jim Steranko.

Kid Visiting Marvel Comics Headquarters, 1983

Stan Lee 1983

Gulp.

(Photo via JHU Comic Books)

The Art of Earl Norem: The Rampaging Hulk #9 (1978) and Marvel Preview #22 (1980)

Norem Rampaging Hulk #9

Norem Rampaging Hulk #9-2

Norem Marvel Preview #22

Norem Marvel Preview #22-2

A decorated World War II veteran, Earl Norem got his start in men’s action-adventure magazines and worked steadily in that genre throughout the ’50s and ’60s. He broke into comics in the mid-’70s, doing a large number of memorable covers for Marvel’s Curtis Magazines, including Savage Sword of Conan and The Rampaging Hulk.

Norem was a major contributor to the Marvel Books imprint from 1982 to 1986 (The Amazing Spider-Man, The Transformers, G.I. Joe), elevated the Masters of the Universe image in a slew of books and magazines, and painted the covers for a Choose Your Own Adventure-style book series called Wizards, Warriors & You (1984 – 1986). I think he also did some package art for G.I. Joe. I’m trying to track down the details.

I’ll be posting Norem’s art on an ongoing basis. He deserves the attention.

Comic Book Spinner Racks, 1982

Comic Book Rack '80s

Comic Book Spinner Rack 1982

There are two racks in the first shot. Looks like a pretty awesome comic shop. I see The Spectacular Spider-Man #68, The Uncanny X-Men #159 (starring Dracula!), Star Wars #57 and #58—all of them “wholesome,” according to the banner.

The rack in the second photo is in a book store. Captain America #268 makes yet another appearance on 2W2N. That’s three times so far.

I worked in a music store in 1990, and one of my jobs was refilling the spinner rack when new comics arrived. (I had experience, after all.) I had to tear the covers off the old comics and trash the books. The covers were returned to the publisher for credit.

(Images via Blog for Rom Fans and Derf City)

Fantastic Films #27 (January, 1982): Interview with Jim Steranko

FF #27 FC

FF #27 TOC

FF #27 pg. 50

FF #27 pg. 51

FF #27 pg. 52

FF #27 pg. 53

FF #27 pg. 62

Comics and illustration genius Jim Steranko on his Raiders of the Lost Ark pre-production art:

The first Raiders painting I did established the character of Indiana Jones. There was really no actor discussed at this point, at least not with me […]

I got a note from George’s [Lucas] secretary describing Indiana Jones, which said that Indy should have a jacket like George wears. That was the only instruction. Fortunately, I knew what kind of jacket George wears. It all worked out very well. I perceived Indiana Jones as a cross between Doc Savage and Humphrey Bogart […]

The definitive image appears on Kenner’s 1981 Raiders of the Lost Ark Game.

Raiders Board Game

Steranko’s Outland adaptation was serialized in Heavy Metal from June, 1981 through January, 1982. You can read the first few pages here.

The movie it’s based on, written and directed by Peter Hyams (Capricorn One, 2010), is generally dismissed as a heavy-handed retelling of High Noon (1952). That’s a mistake. As Steranko says, “[Outland] struck me as being the first noir science fiction film, somewhat in the ‘Chandleresque’ vein.” The film also verges on cyberpunk, and it came out a year before Blade Runner.

It’s fitting that Steranko, deeply influenced by the pulps, also did the cover for the Marvel Super Special Blade Runner cover.

Marvel Blade Runner

Williams Electronics Trade Ads (1982)

Williams 1982

Williams 1982-2

Williams 1982-3

Williams 1982-4

What a brilliant display of golden age video game marketing. Almost all service businesses had cabinets by ’82, but those businesses had to choose between a whole bunch of different game manufacturers. Williams (Defender, Stargate, Joust, Robotron, Sinistar) was one of the big names.

Is dad reading the Bible in the before shot of the first ad? And who the hell is that in the blue shirt? Pat? I had a handheld or two by ’82, but nothing compared to a row of cabinets. Just hearing the attract mode noises made life so much more exciting.

Check out the lady on the left peering curiously at the kids in the grocery store. She’s thinking: “Video games in the supermarket? What a great idea! Now I can bring my kids and spend way more money!”

The third ad is my favorite. Look how bored they are with one another until the cocktail cabinets arrive. And the guys at the coin-op-less bar are so miserable not because they’re stag, but because all the games are taken.

Fourth ad: Ruffles bags haven’t changed much, I guess. See all the beautifully pristine comic books on the spinner rack? That’s Captain America #268 second from the bottom.

(Images via The Arcade Flyer Archive)

Neal Adams and Mike Grell, 1977

Adams Grell 1977

A couple of good-looking, talented fellows at the Chicago Comic Con. Look out for those collars!

What the hell, here’s Adams’ run of House of Mystery covers from ’77. (#252 is my favorite.)

HOM #251 1977

HOM #252 1977

HOM #253 1977

HOM #254 1977

 

And here are a few splash pages from Grell’s Warlord from late ’77 and early ’78.

Warlord #8

Warlord #9

Warlord #10

Warlord #10-2

Warlord #10-3

(Images via Sword and Planet Books and Comics, eBay, and Diversions of the Groovy Kind)

Comic Book Spinner Rack, 1956

Comic Book Spinner Rack 1956

It took me a while to pinpoint the year on this one, but I got it.

The Little Lulu #94 is on the left, very bottom. The Adventures of Bob Hope #38 is on the same column, three up (it’s also on the next row). Our hero is reading Superman #105.

Little Lulu #94

Bob Hope #38

Superman #105

(Images via Ann Arbor Review of Books, Comic Vine, My Comic Shop, americaniron34)


Pages

Archives

Categories

Donate Button

Join 1,118 other subscribers