A sequel to my first post on Milton Bradley’s Dragonmaster. Click to make big. We owe the scans to Tom Beiter, champion of pop culture posterity and author of Garage Sale Finds, a detailed profile of “garage sale treasures and sometimes trash.” (You will not believe the amazing stuff that Tom finds—and often restores.)
It’s clear that Pepper had a deep understanding of Medieval, Renaissance, and Pre-Raphaelite art, and his method—mixing charcoal and watercolors—produced some incredibly vivid colors and textures. His impeccable imagination did the rest. Each card is a work of art, and the originals, if they still exist, belong in a museum. (Is there a fantasy art museum? A commercial art museum?)
I’m betting that one or more of you can come up with a game that does Pepper’s work some justice. From what I’ve heard, the original version is not very compelling.
























































