Archive for the 'Books' Category



Great Tales of Horror and Suspense (Galahad Books, 1974)

Great Tales 1974-2

Borgman-4

Borgman-5

Borgman-6

Borgman-7

Borgman-8

Borgman-9

Borgman-10

Borgman-1

Borgman-2

Borgman-3

Great Tales of Horror and Suspense would be a superfluous anthology of famous horror stories if not for the extraordinary illustrations of Norman Nodel and Harry Borgman. Nodel painted the cover and did interior art for the first half of the book, while Borgman handled the exquisite line art for the Dracula section. See more of Borgman’s Dracula at And Everything Else Too. The black and white pages are from Borgman’s blog, where he talks about the assignment:

The art was rendered with a Crowquill pen with brush accents using India ink. It was a fun assignment and a real break from some of the Detroit automotive work that I was involved with at the time. Randy Mulvey, my New York [agent] during that period, landed this assignment for me as well as a series of Dracula paperback covers.

He goes into more detail about the gig in another post. I’ll post his Dracula covers later.

Maskarade: Zany Faces to Punch Out and Put On (James & Jonathan, 1969)

Maskarade-1

Maskarade-2

Maskarade-3

Maskarade-4

Maskarade-5

Maskarade-6

Found on eBay. These are all the masks included in the book. I posted some cool “punch out” Star Wars masks last year.

Frank Frazetta Cover Art for Tales from the Crypt (Ballantine, 1964)

Tales Frazetta 1964

Tales Frazetta 1964-2

Nine years after Bill Gaines was forced to shelve EC Comics’ horror, crime, and sci-fi titles due to creative restrictions enforced by the Comics Code Authority, Ballantine reprinted a number of the original tales in five volumes published between 1964 and 1966: Tales from the Crypt (1964), The Vault of Horror (1965), Tales of the Incredible (1965), The Autumn People (1965), and Tomorrow Midnight (1966). Frazetta, who had worked briefly for EC in the ’50s, painted the covers for the whole series. Original art for The Autumn People and Tomorrow Midnight are below. You can see all the volumes together here.

Autumn Frazetta 1965

Tomorrow Frazetta 1966

Although the stories were in black and white and awkwardly laid out due to the smaller paperback format, the series is notable because it marked the first time the comics had been anthologized, thus introducing a new generation, already developing a taste for what would eventually be called speculative fiction, to the visceral and groundbreaking (pun intended) work of EC.

The following year, Ballantine would release the first authorized paperback edition of The Lord of the Rings, probably the single most important event in the popularization of the fantasy genre. Starting in 1969, Ballantine struck again with the remarkable Adult Fantasy series, which gave H.P. Lovecraft, William Hope Hodgson, Clark Ashton Smith, William Morris, Lord Dunsany, and several other genre pioneers the lofty status they hold today.

(Images via Cap’n’s Comics and Pinterest)

Heinz Edelmann Cover Art for The Lord of the Rings (Klett-Cotta, 1969/1970)

LOTR GER-1

LOTR GER-3

LOTR GER-2

LOTR GER-5

LOTR GER-4

Heinz Edelmann (1934-2009) is most famous for his distinctive design and art direction on the Beatles-inspired Yellow Submarine (1968), but his Lord of the Rings covers—for the first German edition, translated by Margaret Carroux with help from Ebba-Margareta von Freymann—are a very close second. (Unfortunately, I could only find a larger scan of the Fellowship of the Rings cover.) There was nearly a Lord of the Rings movie starring the Beatles, if you remember.

A German paperback edition of The Lord of the Rings was also published by Klett-Cotta featuring new, equally mesmerizing cover art by Edelmann, as seen below, but I’m not sure about the year: Amazon Germany has it at 1977. The books came in a slipcase featuring additional art. You can see more of the case here. Note the shifting position and condition of the ring—is that the Eye of Sauron inside?—in this edition, .

LOTR GER-6

(Images via Tolkien Collection, Sci-fi-o-Rama, and Design is Fine)

Star Wars, Star Trek and the 21st Century Christians by Winkie Pratney (Bible Voice, 1978)

SW ST-1

SW ST-2

A very strange but fascinating attempt to force the Evangelical Christian worldview into the Star Wars and Star Trek universes. The self-published book by “mavin” Pratney is written in free verse and dedicated to George Lucas, Gene Roddenberry, and Jesus. From Chapter 1:

Understand.

You were made to live forever.
Our hunger to go beyond the stars is not alien.
It is normal. You were born to rule the Universe.
Our desire to plant a border beyond the edge of the Universe is but a dim, diluted echo of our true created destiny.

Don’t give up. Don’t throw in the towel
because all the world seems filled with its small aspiring Darth Vaders –
Don’t line up behind the Dark Lord.Our awareness that our lives ought to be involved in a great battle
which somehow involves the whole future of Mankind is far, far more than fairy tale.
Our dreams,
Our hopes
Our expectations are not big enough.
It is time we gave up our small ambitions and discovered our real destiny […]

The odds seem overwhelming –
Many strong and great men gone forever.
No sign of any of the Jedi Knights around Against us, near invincible technological might
Its ally, supernatural power twisted to evil and destructive ends.

One by one, the strong men in high places giving up the battle,
One by one, the few and the brave hunted down and killed.

And now, the Final Showdown.

You can read the whole thing on the author’s site.

Letters Lovecraftian by Stephen Fabian (Gerry de la Ree, 1974)

LL 1974-2

LL 1974-3

LL 1974-4

LL 1974-5

LL 1974-6

LL 1974-1

If you’re new to Stephen Fabian, Pinterest has a pretty good sample. I didn’t know that he gave up his career as an aerospace engineer at age 37 to pursue a career as a professional illustrator, and that it took him only seven years to hit the big leagues. Letters Lovecraftian was published one year before he was nominated for his first Hugo Award for Best Professional Artist. Fabian’s biggest artistic influence is Virgil Finlay, a definitive illustrator of Lovecraft and Weird Tales and a favorite of Lovecraft’s.

Letters Lovecraftian was commissioned by Fabian’s friend and patron, sci-fi and fantasy bookseller-publisher Gerry de la Ree (1924-1993), whose house/shop Fabian had first visited in 1955. “When I entered his home,” Fabian says,

I found myself in wonderland, beautiful paintings by famous SF artists hung on all the walls above the many bookcases that stretched around the room. The bookcases were all filled with rare science fiction and fantasy books. My sense of wonder was overflowing, and by the smile on his face I could see that Gerry knew how I felt. As I looked around, it never entered my mind that one day I would see my artwork displayed up there with all those wonderful artists, and that I would be part of that wonderland.

Fabian also tells the story of visiting Gerry for the last time, almost 40 years later:

One dreadful day Helen [Gerry’s wife] phoned to tell me that Gerry had only a day or two to live and would like to see me. It was a time of great sorrow. When I got there he greeted me at the door looking as normal as I’d ever seen him, though I knew that he suffered from sugar diabetes. During the next hour or so nothing was said about his imminent passing, and I don’t remember what we talked about because my mind was so numb from the shock of what was happening. I do remember that when the time came to leave, we looked at each other, there was an unspoken understanding that this was the final goodbye. We hugged and I left in a kind of daze. A few days later he was gone, and I’m still amazed when I think of how calm and ordinary his demeanor was during that last visit. Just before I left he waved at his magnificent library of rare and very expensive books and asked me to take any book I wanted. I couldn’t do it. Instead, there was a small plastic model airplane that a neighbor’s kid had made, and I took that because he insisted I take something to remember him by. And just like that, a truly wonderful part of my life was gone. That small plastic model airplane that I took sits on a bookshelf in my library and every time I look at it, and the tiny pilot that waves at me, I think of him.

(Images via Stephen Fabian and Stuart NG Books)

Alex Schomburg Cover Art for Space, Space, Space (Franklin Watts, 1953)

Space 1953

Schomburg is one of the defining illustrators of both the comic book and sci-fi golden ages, and you can see a partial list of his extensive work at ISFDB. You can see a list of the stories in this volume—the book’s subtitle is Stories About the Time When Men Will Be Adventuring to the Starshere.

(Image via The Golden Age)

The Empire Strikes Back Mix or Match Storybook by Wayne Douglas Barlowe (Random House, 1980)

ESB 1980-1

ESB 1980-3

ESB 1980-4

ESB 1980-2

George Lucas/was blinded by ego and fame and greed/on his giant ranch in Marin County/where all the people who don’t vaccinate their kids live/when he sold Star Wars to Disney/who hired Sith Lord J.J. Abrams to reboot yet another beloved franchise based on explosions and CGI/where sad farewells were said.

Wayne Douglas Barlowe wrote and illustrated the influential Barlowe’s Guide to Extraterrestrials (1979), which lots of you remember and probably still have.

Index to Occult Sciences (A New Library of the Supernatural) (Doubleday, 1977)

Occult 1977-1

Occult 1977-2

Occult 1977-3

Occult 1977-4

Occult 1977-5

Occult 1977-6

The first popular, mass market encyclopedia of the occult was Man, Myth & Magic, a 112-issue weekly magazine published in the UK starting in 1970. A 24-volume hardcover set collecting the magazines soon followed. The series, edited by Richard Cavendish and a board of respected academics, was extremely successful—hundreds of thousands of dollars were spent on advertising—and the magazine debuted in the U.S. in 1974.

A New Library of the Supernatural was one of many copycats. The 20 volumes in the series were published by Aldus Books (Doubleday in the US) between 1975 and 1977 and follow the same template as Man, Myth & Magic: lucid, generally responsible, heavily illustrated accounts of the en vogue arcana and personalities of the day. Who might have aroused the most curiosity? Look no further than the cover note on my copy, originally from Ligonier Public Library in Indiana:

DEAR PATRON,

Page 39 has the insert of Anton LaVey removed. We regret this situation. Thank you!

LaVey, of course, founded the Church of Satan in 1966 and was widely reported to be devilishly charming.

The occult in popular culture is yet another major interest of mine, and I plan to start—eventually—another blog dedicated to serious exploration of the subject.

Bram Stokes and Diane Lister in Dark They Were and Golden-Eyed Bookshop, Circa 1970

Dark They Were 1970

Stokes is holding the 1970 Dover Occult edition of L. Sprague de Camp‘s Lost Continents. Dark They Were and Golden-Eyed, the place that inspired Sherry Gottlieb to open A Change of Hobbit, was also London’s first comic shop, predating Forbidden Planet by more than 10 years. It closed in or about 1981.

And here’s a store bag from 1978. The artist is James Cawthorn, an illustrator primarily associated with Michael Moorcock who also co-wrote (with Moorcock) one of my favorite movies, 1975’s The Land That Time Forgot.

Dark They Were 1977

(Images via Comica Festival and Secret Oranges)


Pages

Archives

Categories

Donate Button

Join 1,109 other subscribers